What a difference a year makes! This time last spring, the existential dread was starting to sink in as we hunkered down for the initial surge of the COVID-19 pandemic. Now, several vaccines are being administered by the hundreds of thousands each day, businesses and schools are beginning to reopen, and there’s a general tone of optimism in the air. Of course, we still have a long way to go to reach normalcy (the multiple COVID variants are slightly worrisome…), but for the time being, hope is on the horizon.
Speaking of hope, another Holy Week is upon us. In April 2020, I created a Holy Week playlist on Spotify (which you can check out here) and enjoyed the process so much that I decided to make an entirely different one this year. This time, though, I had some input from my good friend Geoff Nelson, Director of Liturgy and Worship at New City Presbyterian Church. After some discussion, Geoff and I assembled a 3-hour playlist that brims with some amazing sacred music. Like last year’s version, this one presents an aural “journey” through the days of Holy Week and encompasses a spectrum of classical sounds along the way, from Renaissance polyphony to modern Passion settings. (You can view the lineup below; the Spotify playlist itself can be found at the bottom of this post.)
No matter your creed or belief system, we hope that this music will provide you with peace, hope, and encouragement for this time of year, as we look forward to brighter days in the future.
The Rest is Noise, Alex Ross’s 2007 Pulitzer Prize-nominated tome, remains one of the most impressive and convincing books on twentieth-century music. I recently finished reading through it a second time (the first was during my undergrad) and instantly fell in love with it all over again. Using cultural history, biography, style history, and analysis (along with a twinge of criticism), Ross pulls together dozens of seemingly disparate threads and weaves together a dazzling historical “quilt” that gracefully charts the development of classical music after 1900. His writing style is also remarkably clear and accessible—something I admire in particular—which makes a potentially complex and “sticky” subject understandable to a wide swath of readers, both music specialists and non-specialists alike.
While working my way through the book, I realized that a Spotify playlist would be the perfect aural complement to Ross’s survey. Below is the fruit of that idea. Going chapter by chapter, more or less in order, I selected about 14.5 hours (!) of musical examples that Ross discusses and/or mentions in The Rest of Noise, beginning with the slinky clarinet phrase that opens Strauss’s Salome and ending with the chugging, minimalist stylings of John Adams’s Nixon in China. Some composers/pieces receive a generous acknowledgment (the playlist highlights seven different selections by Stravinsky, including his entire Rite of Spring), while others only get a brief nod (I only included one selection by Prokofiev, for instance). Still others, sadly, were left on the cutting room floor entirely. (Sorry, Christopher Rouse!) There are also a few selections of my own choosing, including Tōru Takemitsu’s Rain Tree Sketch and a movement from Lou Harrison’s Suite for Violin with American Gamelan. While this playlist can (and should) be enjoyed in tandem with Ross’s book, it can also be listened to on its own—a deep dive into the vast, kaleidoscopic world that is twentieth-century classical music.
(Oh, and here’s a link to purchase Ross’s book for those interested. 10/10 would recommend!)