What a difference a year makes! This time last spring, the existential dread was starting to sink in as we hunkered down for the initial surge of the COVID-19 pandemic. Now, several vaccines are being administered by the hundreds of thousands each day, businesses and schools are beginning to reopen, and there’s a general tone of optimism in the air. Of course, we still have a long way to go to reach normalcy (the multiple COVID variants are slightly worrisome…), but for the time being, hope is on the horizon.
Speaking of hope, another Holy Week is upon us. In April 2020, I created a Holy Week playlist on Spotify (which you can check out here) and enjoyed the process so much that I decided to make an entirely different one this year. This time, though, I had some input from my good friend Geoff Nelson, Director of Liturgy and Worship at New City Presbyterian Church. After some discussion, Geoff and I assembled a 3-hour playlist that brims with some amazing sacred music. Like last year’s version, this one presents an aural “journey” through the days of Holy Week and encompasses a spectrum of classical sounds along the way, from Renaissance polyphony to modern Passion settings. (You can view the lineup below; the Spotify playlist itself can be found at the bottom of this post.)
No matter your creed or belief system, we hope that this music will provide you with peace, hope, and encouragement for this time of year, as we look forward to brighter days in the future.
There’s a ton of great classical Christmas music and carols out there but to be honest, there’s only so many times that I can hear “Dance of the Sugar Plum Fairy” or the “Hallelujah Chorus” before wanting to kick a Christmas tree over (OK, not really!) Feeling the same way? Well, as the angel Gabriel said, “Do not be afraid!” In this post (which will be split into two parts), I will bring to light eight lesser-known classical Christmas pieces from the twentieth century, which are sure to provide some variety to your Christmas playlist and help ignite the spirit of the season. Here are the first four:
1. John Tavener: Today the Virgin (1989)
Not to be confused with the Renaissance composer John Taverner, the twentieth century English composer John Tavener is often labeled as a “holy minimalist” alongside his contemporaries Henryk Górecki and Arvo Pärt. While the accuracy of that label is debatable, Tavener’s music is, without a doubt, steeped in spirituality. Specifically, his deep love of the Russian Orthodox religion and subsequent conversion in 1977 informed much of his creative output; many of his pieces set texts from the Orthodox liturgy and evoke the sounds of the church’s rich choral tradition (such as his frequent use of static vocal drones). Tavener (who died in 2013) is probably best remembered for his choral piece Song for Athene, which was heard by over two billion people worldwide during the broadcast of Princess Diana’s funeral in 1997.
Eight years prior, in 1989, Tavener penned the short a cappella choral work Today the Virgin. The piece is a delightful setting of a text by Mother Thekla, which celebrates the wondrous mystery of Mary giving birth to Jesus Christ. Throughout the piece, a single-note vocal drone resonates underneath the words and the repeated refrain – “Rejoice, O World, with the Angels and the Shepherds, give glory to the Child!” – is punctuated by a melismatic “Alleluia,” which increases in length and joyfulness as the work progresses.