A Playlist for Holy Week 2.0

A Playlist for Holy Week 2.0

What a difference a year makes! This time last spring, the existential dread was starting to sink in as we hunkered down for the initial surge of the COVID-19 pandemic. Now, several vaccines are being administered by the hundreds of thousands each day, businesses and schools are beginning to reopen, and there’s a general tone of optimism in the air. Of course, we still have a long way to go to reach normalcy (the multiple COVID variants are slightly worrisome…), but for the time being, hope is on the horizon.

Speaking of hope, another Holy Week is upon us. In April 2020, I created a Holy Week playlist on Spotify (which you can check out here) and enjoyed the process so much that I decided to make an entirely different one this year. This time, though, I had some input from my good friend Geoff Nelson, Director of Liturgy and Worship at New City Presbyterian Church. After some discussion, Geoff and I assembled a 3-hour playlist that brims with some amazing sacred music. Like last year’s version, this one presents an aural “journey” through the days of Holy Week and encompasses a spectrum of classical sounds along the way, from Renaissance polyphony to modern Passion settings. (You can view the lineup below; the Spotify playlist itself can be found at the bottom of this post.)

No matter your creed or belief system, we hope that this music will provide you with peace, hope, and encouragement for this time of year, as we look forward to brighter days in the future.

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Nine Symphonies

In 2015, the Southern California-based writer CK Dexter Haven posed the following question to the classical music blogosphere: “If you had to pick nine symphonies—no more, no less—by different composers to include as part of a proverbial desert island survival kit, what would they be?” This intriguing challenge quickly caught fire across the Interwebs as countless people weighed in with their own picks, ranging from KUSC’s Brian Lauritzen to New Yorker music critic Alex Ross. Some found that their favorite symphonies naturally fit into each corresponding slot. Others found it much more difficult. (On Twitter, Brian Lauritzen appropriately called the task “fun/impossible.”)

Me making my “nine symphonies” list

Fast-forward five years later. The COVID pandemic has graciously provided loads more time to listen to music (there’s a bright side for ya!), so I decided that it was time to take on Dexter Haven’s challenge. Throughout the month of August, I listened to many different symphonies—ones I already knew and loved, others that were less familiar, and some that were completely new. After working my way through over 60 pieces (!!), I considered possible outcomes and drafted up my own “desert island survival kit” of nine completely different symphonies by nine completely different composers. And let me tell you, it was not exactly a walk in the park.

There were a few additional rules to this challenge. In his original blog post, Dexter Haven states the following:

  • “You can only pick one symphony per composer.
  • You must choose numbered symphonies 1 through 9 only. No Symphonie fantastique, Symphony of Psalms, Symphonic Dances, etc.
  • Once you choose a numbered symphony, you cannot choose another similarly numbered symphony by a different composer (i.e. no choosing both Beethoven’s 7th and Sibelius 7th).
  • Use only current numbering conventions; so if you were to pick the New World Symphony by Dvořák, you’d have to put it in the 9th Symphony spot, not the 5th Symphony where some folks 50 years ago may have put it.
  • Bonus point for including symphonies by composers who actually composed at least nine numbered symphonies.”

As you can see, this was an extremely tricky undertaking (and many, many wonderful symphonies got left out in the process), but it was loads of fun nonetheless and the perfect end-of-summer time waster. So, without further ado, here are my nine picks, followed by some additional thoughts at the end. Let’s do this…

1. William Walton: Symphony No. 1 in B-flat minor

For my opening slot, Walton’s First Symphony takes the crown (a rather appropriate metaphor for a British composer). This work is truly marvelous and sadly underplayed here in the States. It brims with both vivacity and heart-on-sleeve passion and features one of the quirkiest endings after Sibelius’s Fifth Symphony. Plus, this work has a special familial connection. While on the bus for a choir & orchestra tour in the 1980s, my dad first laid eyes on my mom while listening to the Symphony’s gorgeous third movement on his Walkman. They’ve been happily married ever since. Awwww…

Honorable Mentions: Shostakovich, Mahler, Brahms, Corigliano, Mendelssohn, Price, Mathias, Still

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A Playlist for Holy Week

I love roller coasters, but I fully admit, the past few weeks have been one roller coaster that I want to get off of. The COVID-19 pandemic has caused a seismic shift in the daily routines of billions of people worldwide, forcing us to adapt to new personal and public norms. For both me and countless others, there have been challenges (moving a 450-student Music Appreciation class to an online format), disappointments (having to cancel a planned trip), and frustrations (not being able to go out with friends or family). Of course, this is all for a common, honorable cause but it’s still been tough adjusting to a new normal.

All that said, though, this pandemic has brought about many good things—alternative social interactions with friends, more quality time with my immediate family, tons of exercise (i.e., so many walks!), decreased pollution levels. The list goes on. I have also listened to a lot of music. Like, a LOT. And this past week in particular, I’ve been reflecting on the incredible variety, quality, and scope of classical music written either for or in the spirit of Holy Week.

So, I decided to construct a Holy Week playlist. The selections in this playlist are wildly eclectic and span almost a thousand years, ranging from the meditative sounds of the 11th-century nun-poet-composer Hildegard von Bingen to the decisively-modern style of James MacMillan. A total of twenty-three composers are represented (Bach three times!). Of course, sadly, many had to be left out.

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