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Rethinking the Concert Hall – Part 4: Programming (New Music)

This is the fourth and final installment of my multiple-part series. You can read the previous parts here, here, and here. On December 20, 1973, Aaron Copland made a guest appearance on the public television series Day at Night. Within this wide-ranging and lively discussion, one particularly fascinating exchange occurs when the interviewer, James Day, inquires about Copland’s contemporary musical language: James Day: […]

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