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Rethinking the Concert Hall – Part 4: Programming (New Music)

This is the fourth and final installment of my multiple-part series. You can read the previous parts here, here, and here. On December 20, 1973, Aaron Copland made a guest appearance on the public television series Day at Night. Within this wide-ranging and lively discussion, one particularly fascinating exchange occurs when the interviewer, James Day, inquires about Copland’s contemporary musical language: James Day: […]

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Copland’s Piano Concerto

The music of American composer Aaron Copland (1900-1990) is no stranger to the concert hall (Appalachian Spring, Billy the Kid, and Fanfare for the Common Man are all played quite frequently), but some of his pieces are rarely brought out into the open. A good portion of this somewhat unfamiliar repertoire belongs to the early part of Copland’s […]

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